His work is characterised by a reductive, streamlined use of line and the depiction of banal, everyday objects saturated in colour. Caulfield consistently used screenprint for his graphic work following his introduction to the medium by Richard Hamilton and Chris Prater in 1964. The deceptive simplicity of his images, perfectly matched by the aesthetic capacities of the process, is clear throughout the various phases of his printmaking career. During his lifetime the Serpentine Gallery, the Hayward Gallery and the Tate Gallery in London all held major retrospectives of his paintings. More recently his prints were the subject of a survey at Tate Liverpool. Caulfield died in 2005 having made an indelible contribution to British painting and printmaking.
Alan Cristea Gallery is the publisher of the complete catalogue raisonné of Patrick Caulfield's prints.